Padaviya

iamabutchsolo:

We all know the trope: The person(s) of color (overwhelmingly the black guy) gets killed off first, especially in a horror film. Well here is a brief list of such films, many of which not only feature the person of color dying first, but feature the main white characters ultimately saving the day:

• Night of the Living Dead
• X-Men: First Class
• King Kong
• Scream 2
• Predator (1 & 2)
• Serenity
• State of Play
• Deep Rising
• Kill Bill: Volume I
• Jaws: The Revenge
• House of Wax
• Alien Vs. Predator: Requiem
• Stargare
• Aliens
• The Shining
• Leviathan
• Terminator (1 & 2)
• Red Dawn
• Jurassic Park
• Gremlins
• Hollow Man
• Hulk
• Predators
• United 93
• Fantastic Four: Rise of the Silver Surfer
• Super 8
• Cursed
• Killjoy
• Queen of the Damned
• Transformers (Not a complete fit in the trope since it’s not human-based. The only autobot to die in the film is Jazz, the jive-talking autobot voiced by a black actor)
• 300
• Resident Evil
• The Mummy (1 & 2)

And believe me, I could probably find many more if I looked a little harder. (Feel free to correct me on any films, as I have not seen a few of these films).

So, what is the point of this list? Well, it’s to illustrate that even if at first glance, a film may show potential of diversity, people of color are still, in many respects, disposable in films. It’s just enough time to introduce the idea that these films are inclusive by introducing some racial diversity, yet allows them not to have to explore the nuances of these characters of color by killing them off, to focus on the true protagonists - the white folks.

Now, let me make it clear: the individual films listed are not necessarily racist because the feature this trope, and the reasoning for killing of the character of color might not be a conscious choice. Rather, the focus is how the overall trope itself is racist, as it is evident in several films that even if there are people of color in films, they are likely to be killed off or rid of early on, further illustrating Hollywood’s penchant for not telling stories of people of color in any meaningful way and only actively engaging a white-centered audience.